Inga Drąsutė







Field Anatomy. Atlas of Landscape Skeletons2026artist book, bookbinding
Walter Benjamin. Nušvitimai2026book cover design
Grafikos paviljonas. I-oji paroda2026art project, group exhibition
Let’s print in Lithuania!2026shemes, book design
Calendar2026illustration, design, production
Piemenų užrašai VII2025publication design

Šešėly ir šviesoj. Martynas Zaleskis ir Kauno vaizdas2025schemes, book design
Bio-De-Code2025book design, typeface, production

Eglė Davidavičė, Užkalbėjimas2025publication design
Vessel as a Journal2025issue design
Stick letters2025typeface, art project

Tear-Away Book 
Climb To2025book, art project with Julija Račiūnaitė
Nuo gintarų iki žvaigždžių: M. K. Čiurlionis, amžininkai ir bendraminčiai2025exhibition, comunication and catalog design made together with Julija Račiūnaitė and Jonas Vaikšnoras
A-Spot, Mindaugas Kavaliauskas2025book design
Raseinių kraštas2025book design
Povilas Šklėrius, Pažadėk mane gražiai palaidot2024book design
Studio Tyle2023poster




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    ©2026

    Grafikos paviljonas
    I-oji paroda





     Grafikos paviljonas
    I-oji paroda
    2026.04.26 - 06.01
    Panemunė Castle

    Art residency and group exhibition with Nida Shah and Oksana Judakova in Panemunė Castle

    2026, April

    © Inga Navickaitė-Drąsutė
    During archaeological excavations 
    carried out between 2009 and 2012 
    at the site of Panemunė Castle, a wide
     variety of finds were discovered –
    pottery vessels, stove tile shards, 
    and other fragments of everyday 
    life, whose abundance reveals 
    that this place was once 
    full of activity


    Living within the castle space inevitably evokes parallels with its former inhabitants — different owners and their everyday lives. The quantity of shards suggests not only domestic utensils, but also hints at traces of chaotic, intense living. Their fragmentary nature is visually captivating, yet at the same time it stimulates the imagination, inviting one to mentally complete the missing forms. Arranged within the pages of a book, these fragments of pottery and tiles become a kind of narrative fragment, allowing speculation about glazing traditions, decoration during different periods of the castle’s existence, and the owners who may once have used - and broken - these objects themselves.

    Shards (Duženos), 15 copies, risograph printed, hand-bound.

    During the creative process, an intuitive contrast to the fragment emerged - a complete, unified vase summarizing the shards and bringing them together into a single form. The exhibition also includes several smaller “Amphorae for Sour Milk.”

    The skeletal series is complemented by fragments of tree branches found in the park of Panemunė Castle, around the burial mounds of Grand Duke Vytautas of the Grand Duchy of Lithuania and his wife. Printed using photopolymer technique, these fragments resemble human bones (a clavicle, finger bone, hip bone). I exhibit these objects as personal, interpreted archaeological findings.
    Limited edition book (No 16, map)
    Shards (Duženos)
    Inga Navickaitė-Drąsutė

    Consultant  Aida Kirkickienė, 
    Language editor  Julija Račiūnaitė-Šimienė
    Riso printed and binded by Inga Navickaitė-Drąsutė, 15 copies, format 170 x 228 mm, 80 p. , type  Saans (Martin Vácha),  Monarcha (Isac Correa Rodrigues), Paper Munken Pure 120 gsm, Geltex Escarlata 115 gsm

    Amphorae for Sour Milk(No 3, 15, map)
     woodcut print, 850 x 1260 mm, Fabriano 200 gsm paper, oil based ink, 7 copies

    Amphoraes for Sour Milk 2(No 18, map)
    woodcut print, 300 x 1500 mm, Rise paper, oil based ink, 5 copies

    The Sceleton Series (No 20, map)
    Clavicula, Phalanx, Femoris
    Photopolymers